~ Road Book of Boston and Vicinity for Bicyclers, Riders and Drivers, Charles A. Underwood, Ed., 1893
It’s important to be certain that a corpse is actually a corpse.
bonus: if alive, the person will yell “OW, WHAT THE FUCK” when you stab them with a pin.
While Johansson’s first Marvel appearance in Iron Man 2 may have relied somewhat upon sex appeal, this was quickly nixed in favor of characterizing her as the most cerebral Avenger. Her most important scenes in The Avengers relied upon her intelligence and skills as a spy, to the extent that she even managed to outwit Loki, the God of Lies. At the end of the movie, she’s the one who closes the portal that let all the aliens into New York. Then in Winter Soldier she’s given second billing to Captain America, a meaty role that showcases a wide-ranging skillset that stretches far beyond just “kicking ass.” At no point during any of these movies does she seduce anyone, by the way.
Sadly, there’s very little sign of this character in the most easily accessible reviews of both The Avengers and Winter Soldier. Judging by the Guardian, WSJ, or New Yorker, Black Widow is more like a blow-up doll with a black belt. By their logic, if she’s wearing a tight outfit, then she must be a sexy ass-kicker, meaning that she must be the token female character, and therefore is little more than eye candy.
With that thought process in mind, it must make perfect sense to relegate Black Widow to a single sniggering comment about her catsuit, because obviously Scarlett Johansson is just there for decoration. And if you’ve read in the New York Times that Black Widow is a token female character, then chances are you’ll have internalized that opinion before you even buy a ticket. The feedback loop of misogynist preconceptions continues on, and in the end, we all lose out.
Gavia Baker-Whitelaw, Every review of Black Widow in ‘Captain America’ is wrong (via fyeahmcublackwidow)
If you saw CA:TWS and didn’t think that Black Widow and Cap were basically in a buddy-cop flick, you weren’t watching the right movie.
A gold and enamelled brooch in the form of a cicada by René Lalique, c.1902
Photographer: Jens Moiré Stylist: Lorand Lajos Hair/Makeup: Gaby Pachmayr Model: Maximilian Rossi